If you find yourself to be in love with cinematic approach to music,‘Zimmer’ is probably the name that comes first to your mind. Whether you love his work or you consider it mediocre, you’re surely aware that this man is one among the most successful and recognizable composers of our time… when it comes to the cinema industry, anyway. Some people say his OST is dull and repetitive. They might be right, in a way : when you hear it, you know that ‘this’ is by Hans Zimmer. The vast majority of moviegoers admire his talent, sometimes they even call him a genius or ‘the Mozart’ of XXI century. With all honesty, I do agree with them.
Hans
Zimmer’s ability to build up a tension, evoke emotions and create an atmosphere
result in various masterpieces. His music highlights the images extremely well.
Here are some of the most memorable movie soundtracks composed by him from my
point of view.
The Last
Samurai
That was
probably my first encounter with Zimmer’s work. In this OST he mixes symphonic
melancholy and epicness with traditional Japanese instruments like koto,
shakuhachi flute or taiko drums, which make the movie experience to be an
emotional rollercoaster. He gives us the beauty of Japanese culture in pair
with sometimes subtle, sometimes powerful orchestra. Hans Zimmer’s key to
success.
Interstellar
What is the
composer’s idea for an extraterrestrial journey? The instrument called organ. This
OST’s main focus are these relaxing / haunting sounds played on organ which is supported
by violins and other classical instruments. Some compositions are calm evoking
cold emptiness of space; some of them evolve around the concept of time which
plays a huge role in Christopher Nolan’s film. Usually, they lead to a powerful
climax.
Dunkirk
One of his
greatest works and at the same time one of the most criticized to date. This
time Christopher Nolan has given the composer a different task. He wanted
Zimmer to compose something much different compared to his previous
soundtracks. As a result of this, fans who expected another epic and emotional
themes were given more tense and howling OST, which was meant to reflect
horror, fear, helplessness and desperation the soldier faced on the beach of Dunkirk. The music makes us feel that
time’s running while we’re stuck and aware that the doom’s coming.
BVS / Man of Steel
Gladiator
Hans
Zimmer’s work for ‘Gladiator’ was probably his second step to the great fame
(the first being the Academy Award for ‘the Lion King’) he has nowadays. His
cooperation with Lisa Gerrard (a vocalist from an Australian band Dead Can
Dance), the fusion of Zimmers’ compositions and Gerrard’s vocals guaranteed
them an Oscar nomination in 2001.
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